"Death and the Maiden" is a boxwood medallion carved by Hans Schwarz in 1520. Currently on display at the Bode Museum in Berlin.The motif of "Death and the Maiden" has its origins in late medieval and Renaissance art. This theme was particularly relevant during times of plague and war, when death was a constant presence.
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So much fun today at the renaissance Festival!
Medusa by Vincenzo Gemito (Italian, 1852-1929) :The severed head of Medusa stares out from convex face of a two-sided relief. Its psychological realism, simultaneously beautiful and hideous, reveals the conflicting yet symbiotic emotions of attraction and repulsion. This combination expresses the power of ancient Greek apotropaic objects, charms that warded off evil. Since the sight of Medusa's face transformed by the goddess Athena into a monster with snakes for hair had turned men into stone, it became a traditional apotropaic symbol. Athena affixed the actual Medusa's monstrous head to her shield, and human warriors followed suit.The sculptor Vincenzo Gemito derived his composition from the famous antique cameo, the Tazza Farnese, but transformed it into an entirely new kind of sculptural object. He revived Renaissance techniques of lost-wax casting to make the relief. Although he concentrated on the face of the two-sided, glistening metallic relief, he textured the back with snakeskin.The Getty Villa Museum #archaeohistories#
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