WANIMAL

aquatic fantasies

WANIMAL ART 交流群月費105 年費1050 確認加群的回復 1WANIMAL NEW COMER@Puppy_Niemamadi

{📷 Dan Hecho}

john galliano for christian dior: spring/summer 1998

上海 DAY IWANIMAL NEW COMER小海帶@Puppy_Niemamadi

なでり

THE HOTTEST.

叔叔 看见我的棒棒糖了吗🍭📷@Tang84659956

おはれい🩵デビュー3周年を迎えましたいつも応援ありがとうございます4年目もよろしくお願いします🫶🏻

安全抵達

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@AMAZlNGNATURE A caterpillar that takes the form of a snake when it feels threatened

{📷 Sylvie Blum}

39,000 year old Mammoth Carcass. Scientists say its so well preserved that its brain is still intact

Anne Hathaway

收了一個疣豬頭骨

Deir el-Medina Room - Egyptian Museum of Turin, Italy 🇮🇹The room is dedicated to the finds from the site of Deir el-Medina(near today's Luxor), the ancient village where the workers and artisans who built the Valley of the Kings lived. Its a space that well represents the ways of life, daily habits and customs of the common people at the time of the great pharaohs.📷 : This small ostrakon, a fragment of limestone dating back to the New Kingdom, depicts a dancer. Captured in the movement of the dance, with her body softly arched backwards, while her long hair harmoniously touches the ground, she is decidedly far from the rigid poses we know of the ancient Egyptians.#archaeohistories#

Kevin Nkrumah - Fresh !

Medusa by Vincenzo Gemito (Italian, 1852-1929) :The severed head of Medusa stares out from convex face of a two-sided relief. Its psychological realism, simultaneously beautiful and hideous, reveals the conflicting yet symbiotic emotions of attraction and repulsion. This combination expresses the power of ancient Greek apotropaic objects, charms that warded off evil. Since the sight of Medusa's face transformed by the goddess Athena into a monster with snakes for hair had turned men into stone, it became a traditional apotropaic symbol. Athena affixed the actual Medusa's monstrous head to her shield, and human warriors followed suit.The sculptor Vincenzo Gemito derived his composition from the famous antique cameo, the Tazza Farnese, but transformed it into an entirely new kind of sculptural object. He revived Renaissance techniques of lost-wax casting to make the relief. Although he concentrated on the face of the two-sided, glistening metallic relief, he textured the back with snakeskin.The Getty Villa Museum #archaeohistories#